Movie Memorabilia Original

Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR

Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR
Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR

Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR

We are honored to be your one-stop, 5-star source for vintage pin up, pulp magazines, original illustration art, decorative collectibles and ephemera with a wide and always changed assortment of antique and vintage items from the Victorian, Art Nouveau, Art Deco, and Mid-Century Modern eras. All items are 100% guaranteed to be original, vintage, and as described. ITEM: This is a vintage and original color production negative transparency photograph featuring Marilyn Monroe, Betty Grable, and Lauren Bacall behind the scenes during the filming of "How to Marry a Millionaire" (1953). A production transparency made from the master camera transparency for regional distribution, this is a fantastic piece of Golden Age of Hollywood memorabilia with Tinseltown's biggest, most beautiful stars!

Scans below are of a positive view. CONDITION: Fine++ condition, as seen. Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in Los Angeles General Hospital.

Prior to her birth, Marilyn's father bought a motorcycle and headed north to San Francisco, abandoning the family in Los Angeles. Marilyn grew up not knowing for sure who her father really was. Her mother, Gladys, had entered into several relationships, further confusing her daughter as to who it was who fathered her. Afterward, Gladys gave Norma Jeane (Marilyn) the name of Baker, a boyfriend she had before Mortenson.

Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and worked for RKO Studios as a filmcutter, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at age 16, Norma Jeane married 21-year-old aircraft plant worker James Dougherty.

The marriage only lasted four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by RKO Pictures head Howard Hughes.

He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the eminently forgettable Scudda Hoo! Two of the three brief scenes she appeared wound up on the cutting room floor.

Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school.

Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang two numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. In 1949, she appeared in United Artists' Love Happy (1949).

It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history.

The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her ditzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951).

The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card.

Later, she appeared with Betty Grable, Lauren Bacall and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members.

On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up.

By October 1954, Marilyn announced her divorce from DiMaggio. The union lasted only eight months. In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955).

It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright, Arthur Miller (they divorced in 1960). In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957) which proved less than impressive critically and financially. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960), with Tony Randall and Yves Montand.

The following year, Marilyn made what was to be her final film. The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike.

In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year.

It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn made only 30 films in her lifetime, but her legendary status and mysticism will remain with film history forever. IMDb Mini Biography By: Denny Jackson Elizabeth Ruth Grable was born on December 18, 1916 in St.

Louis, Missouri, to Lillian Rose (Hofmann) and John Charles Grable, a stockbroker. She had German, English, Irish, and Dutch ancestry.

Her mother was a stubborn and materialistic woman who was determined to make her daughter a star. Elizabeth, who later became Betty, was enrolled in Clark's Dancing School at the age of three.

With her mother's guidance, Betty studied ballet and tap dancing. At age 13, Betty and her mother set out for Hollywood with the hopes of stardom. Lillian lied about her daughter's age, and Ruth landed several minor parts in films in 1930, such as Whoopee! (1930), New Movietone Follies of 1930 (1930), Happy Days (1929) and Let's Go Places (1930). In 1932, she signed with RKO Radio Pictures.

The bit parts continued for the next three years. Betty finally landed a substantial part in By Your Leave (1934). One of her big roles was in College Swing (1938). Unfortunately, the public did not seem to take notice. She was beginning to think she was a failure. The next year, she married former child star Jackie Coogan. His success boosted hers, but they divorced in 1940. When she landed the role of Glenda Crawford in Down Argentine Way (1940), the public finally took notice of this shining bright star. Stardom came through comedies such as Coney Island (1943) and Sweet Rosie O'Grady (1943). The public was enchanted with Betty. Her famous pin-up pose during World War II adorned barracks all around the world. With that pin-up and as the star of lavish musicals, Betty became the highest-paid star in Hollywood. After the war, her star continued to rise. Later, 20th Century-Fox, who had her under contract, insured her legs with Lloyds of London for a million dollars. Betty continued to be popular until the mid-1950s, when musicals went into a decline. Her last film was How to Be Very, Very Popular (1955). She then concentrated on Broadway and nightclubs.

In 1965, she divorced band leader Harry James, whom she had wed in 1943. Betty Grable died at age 56 of lung cancer on July 2, 1973 in Santa Monica, California.

Her life was an active one, devoid of the scandals that plagued many stars in one way or another. In reality, she cared for her family and the family life more than stardom. In that way, she was a true star. IMDb Mini Biography By: Denny Jackson Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She is the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents.

Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five. When she was a school girl, Lauren originally wanted to be a dancer, but later, she became enthralled with acting, so she switched gears to head into that field.

She had studied at the American Academy of Dramatic Arts in New York after high school, which enabled her to get her feet wet in some off-Broadway productions. Once out of school, Lauren entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite the great Humphrey Bogart, when she was just 19 years old.

This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films. After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success.

Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats.

The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.

In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953).

The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America. After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim.

She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances. The latter film was a comedy starring Henry Fonda and Tony Curtis.

In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976).

The film was Wayne's last - he died from cancer in 1979. In 1981, Lauren played an actress being stalked by a crazed admirer in The Fan (1981).

The thriller was absolutely fascinating with Lauren in the lead role. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. After Misery (1990), in 1990, and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996).

It was a wonderful comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. Despite her advanced age and deteriorating health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle, " based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, but future endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday. IMDb Mini Biography By: Denny Jackson.

The item "Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR" is in sale since Sunday, July 31, 2016. This item is in the category "Entertainment Memorabilia\Movie Memorabilia\Photographs\1950-59\Color".

The seller is "grapefruitmoongallery" and is located in Minneapolis, Minnesota. This item can be shipped worldwide.
  • Size: 8" x 10"
  • Country/Region of Manufacture: United States

Marilyn Monroe Betty Grable Lauren Bacall Original Color Production Negative NR